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This blog does contain adult material. If you are under your country's legal age (18 or 21), do not scroll down and leave this page now.
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About the artist
Nicolas Urquiza was born in Argentina in 1969. He began his art career at the age of 15, when he won first prize in an art competition at the local museum of his native city of Parana.
He later attended "The University of Architecture and Industrial Design" in Buenos Aires but found h is real vocation at the private art school "Sara Garcia Uriburu", under the guidance of his mentor Carlos Bisolino.
Urquiza's art has since progressed to include strong erotic and provocative tendencies, which has at times been controversial. His first exhibition in Argentina was singled out for criticism by the Catholic Church, which tried to censor his work, eventually taking the issue to one of the most notable and popular television programs at the time. With his third show canceled and his artwork confiscated by the police because of it's conent, the artist decided to move to Brazil, where his art was readily accepted by a more open-minded society.
Nico currently resides in New York City, where he alternetes between fine and comercial art, focusing at diferent times on painting, photography, fashion, art direction, and various areas of design.
Currently co-designer of New York based team NICO & ADRIAN.
His work has been published in innumerable number of magazines, newspapers, galleries, museums, and private shows, between the most notables "Vogue"(Italy), "Art in America" (USA), L'uomo Vogue (Italy), Luire (Japan), "Preferences" (France), "STH" (USA), "The New York Times" (USA), "Bazar" (Brazil), "Numero" (France), and many others.
CONTACT: UrquizaNyc@Aol.com
He later attended "The University of Architecture and Industrial Design" in Buenos Aires but found h is real vocation at the private art school "Sara Garcia Uriburu", under the guidance of his mentor Carlos Bisolino.
Urquiza's art has since progressed to include strong erotic and provocative tendencies, which has at times been controversial. His first exhibition in Argentina was singled out for criticism by the Catholic Church, which tried to censor his work, eventually taking the issue to one of the most notable and popular television programs at the time. With his third show canceled and his artwork confiscated by the police because of it's conent, the artist decided to move to Brazil, where his art was readily accepted by a more open-minded society.
Nico currently resides in New York City, where he alternetes between fine and comercial art, focusing at diferent times on painting, photography, fashion, art direction, and various areas of design.
Currently co-designer of New York based team NICO & ADRIAN.
His work has been published in innumerable number of magazines, newspapers, galleries, museums, and private shows, between the most notables "Vogue"(Italy), "Art in America" (USA), L'uomo Vogue (Italy), Luire (Japan), "Preferences" (France), "STH" (USA), "The New York Times" (USA), "Bazar" (Brazil), "Numero" (France), and many others.
CONTACT: UrquizaNyc@Aol.com
Favorite links
- VILA URQUIZA My House in Brazil
- Interior Work
- Nico Urquiza at the other side of the lens
- Nico & Adrian Blog
- Exile Gallery
- Envoy Gallery
- Autoversion Gallery
- Like Yeh
- Center for Book Arts Show
- The pussy farm
- ARTCAL Review
- STH Magazine
- A poor wayfaring stranger
- Paul Sepuya
- Brian Kenny
- Slava Mogutin
- Courtney Moore
- Mattias Henkel
- Beautiful
- PREF 15
- Oh La La Paris
- K 48 Magazine
- Rick Castro
- Kaiserin Magazine
Title photo by Courtney Moore
1 comment:
The penis, now cherished by the world, achieves its finest silhouette of this cycle in profile drop. This remained the most expressive study of the penis, even through the jockstrap shower series (for all its genius for the concentration of the pouch), until the candleprayer series much later. There, the penis was silhouetted again, but this time a shimmering trace of its glans was visible, as the meniscus of the great draught of cockflesh that it is, not trembling but volatile even so, within the chalice of the prepuce. Yet even there, students of this enthralling penis were amazed in the same way they were by this portrait, at how appropriately framed it was by the body, so that it underscored that hypothesis inherent in penis, of distilling the qualities of the whole for their reception by the Other.
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