The soaked figure in the hallway co-operates in the exploitation of his penis, even as the conformation of his abdomen and hips prefigures ass. But the oval expanse of the abdomen, as much as the angle of view, defines the penis as the destination of the gaze, so that the nuance of the shadow becomes all-important. Then the tilting pivot of the upper body portrays a clavicle parapet of coherent continuity, more powerful even than the musculature which seems to tumble from it, as the penis seems disbursed by the abdomen.
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About the artist
Nicolas Urquiza was born in Argentina in 1969. He began his art career at the age of 15, when he won first prize in an art competition at the local museum of his native city of Parana. He later attended "The University of Architecture and Industrial Design" in Buenos Aires but found h is real vocation at the private art school "Sara Garcia Uriburu", under the guidance of his mentor Carlos Bisolino. Urquiza's art has since progressed to include strong erotic and provocative tendencies, which has at times been controversial. His first exhibition in Argentina was singled out for criticism by the Catholic Church, which tried to censor his work, eventually taking the issue to one of the most notable and popular television programs at the time. With his third show canceled and his artwork confiscated by the police because of it's conent, the artist decided to move to Brazil, where his art was readily accepted by a more open-minded society. Nico currently resides in New York City, where he alternetes between fine and comercial art, focusing at diferent times on painting, photography, fashion, art direction, and various areas of design. Currently co-designer of New York based team NICO & ADRIAN. His work has been published in innumerable number of magazines, newspapers, galleries, museums, and private shows, between the most notables "Vogue"(Italy), "Art in America" (USA), L'uomo Vogue (Italy), Luire (Japan), "Preferences" (France), "STH" (USA), "The New York Times" (USA), "Bazar" (Brazil), "Numero" (France), and many others.
2 comments:
what a hottie! great pics :P
The soaked figure in the hallway co-operates in the exploitation of his penis, even as the conformation of his abdomen and hips prefigures ass. But the oval expanse of the abdomen, as much as the angle of view, defines the penis as the destination of the gaze, so that the nuance of the shadow becomes all-important. Then the tilting pivot of the upper body portrays a clavicle parapet of coherent continuity, more powerful even than the musculature which seems to tumble from it, as the penis seems disbursed by the abdomen.
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